Big clean clear and open. No it isn't necessary. And a pair of used 550b's. I'm bad at that type of description. Ok it really depends on the exact building, mic, and how quiet the source is. Ribbons for all the horns. Thanks again to all of you. What do you cats think? Quote: Originally Posted by Ozpeter I've not heard of such problems from others using the 'stock' R44 so it sounds like the Oade mods are to blame. I'm loving my AEA R44c. When you buy products through links across our site, we may earn an affiliate commission. its hard for me to describe the sound. I recommend also checking out the True Systems PT2. The 44 just sounds great. The hp filter on the rpq is remarkable for taming the proximity effect of the r44. Cloud Microphones JRS-34 was designed by Stephen Sank, son of the RCA BK-11’s inventor, Jon R. Sank — for whom this microphone is named. The mic list (of included gear, noit rental items) is short on tube mics. I don't think it has a "funky" null point - I think the null is smaller (or perhaps another way to look at it is the R84 has a wider pickup-pattern than the 4038?). Funky null points? It is a hard decision. It uses a long-geometry ribbon like the ShinyBox 46U (presumably) and the AEA R44 and R84. 4 ribbons total. I'm curious to know what. glad you're enjoying it. Click here to login, The ability to reply to and create new discussions, Access to members-only giveaways & competitions, Interact with VIP industry experts in our guest Q&As, Access to members-only sub forum discussions, Get INSTANT ACCESS to the world's best private pro audio, Promote your eBay auctions and Reverb.com listings for free. I have three, and they're all in rough condition. Well, after living with the RPQ for a while, I didn't really find it necessary for what I'm doing. Hey there! Hey there! When you buy products through links across our site, we may earn an affiliate commission. This way it's more easily ignored for those who just want to talk about … When you buy products through links across our site, we may earn an affiliate commission. The other reason is that as soon as I make them they seem to get sold. I mean if it sounds that much better, than of course I'll grab one. Hey folks. Perhaps I would use for more distant stuff with the RPQ, as opposed to my condensers. The other reason is that as soon as I make them they seem to get sold. The mic list (of included gear, noit rental items) is short on tube mics. Gearslutz is part-supported by our visitors. the interaction between the actual ribbon through the transformer to the mic pre is now changed with the active design. Thanks for the update! It's also designed for ribbon mics and sounds really great. I'll dig in when I'm back in my studio on Monday. The AEA R44SM has an even lower self noise, and only costs $895. Northern Europe has been too hi-tech for ribbons. When you buy products through links across our site, we may earn an affiliate commission. the RPQ or the Grace? I would be curious to try the 122v versus the AEA R84 on violin. That hasn't been my experience at all. I have not yet heard the R84, but I have a 77DX that was reconditioned by Clarance Kane that is absolutely one of the best I have heard. I'm planning on getting a ribbon mic soon and i have read exceptional comments for both of these mics here in Gearslutz. It is wonderful. It's a well documented problem over on tapperssection. If you're talking ribbons, I love the 122v on solo violin. I haven't used the AEA preamps, it may be they bridge the gap (and more) between new and old design approaches. You may still have to replace the ribbon. Oops. I've never worked with the AEA r84. Gearslutz is part-supported by our visitors. So Ward, what would be the best new purchase for my AEA R88 and R121s? You get the same sound from the CE without the extra bling. Why were vocal recordings so much better in the 1950s. And a Dual Vandergraph. The AEA 44 we make is close to an original RCA 44, but there were many variations of the RCA 44 with slightly different sounds some not even made here in the US but across the pond. Has anyone used the active aea (expensive)? This 500 series stuff is addictive !!! So recommendations are wellcome! Different ribbon mics are as varied as, well, different condenser mics. Adam-I find your posts very informative. And a lunchbox. Create a username and password below and an account will be created and your post entered. It didn't have as much mojo in the midrange as some of the others, but the sound was huge, deep, and clear - not to mention dead quiet.... You need an account to post a reply. If you have a good pre-amp with lots of gain, you don't need the extra boost from an active ribbon mic.". I'm thinking about grabbing an AEA R44. I'm loving my AEA R44c. I use it with either a BAE 1073 or my API's. … (at least around here). If you can find 77s or 44s in good shape, by all means, BUY THEM! I use it with either a BAE 1073 or my API's. Learn more. It has theoretical a higher impedance input (20k Ohm vs/ >10k Ohm on the RPQ). R-84s are thin? I was comparing the R84 to the 4038 and SF12. its hard for me to describe the sound. Much better than a conventional hp filter or low shelf eq. So I've looked at the Flea47, Flea49 or maybe the AEA R44 (I like ribbons very much and own a pair of Coles 4038 and a Royer SF-12 - but not always the best choice for vocals...). Do you have a favorite mic for a solo violin? Here is the instrumentation: 5 horns-1 each of,trumpet, trombone, alto, tenor and baritone saxophones. We have set up a separate forum area to discuss everything related to the Coronavirus / COVID-19. Also the rpq is optimized impedance wise for the ribbon. As it seems the R84 is like a FYI, we did a ribbon mic and preamp shootout with the RPQ, Millennia HV-3B, Grace m101, and Great River ME-1NV so you can hear how the RPQ compares to those: Just chiming in with my recent experience tracking Upright Bass (both pizz and Arco) for an indie film score. I didn't mean to spend 5 grand but whatever I guess! I grabbed an RPQ 500. Learn more. Ok! Most of us who do recording know these mics quite well. thought I'd chime in for AEA. Thanks! First off everyone probably knows 77s and 44s are very different mics. R-84s and SF-24 w-a-y far away (relatively speaking). They do have 2 Coles 4038 and 2 AEA R84. and for those who MAY need lots of clean boost for lower-output ribbons and dynamics, the less expensive ribbon pre from aea is all you need. Oliver Share Reply Quote. At high spl you need the outer ring at noon and then you get about 1/3 of the center pot before you have problems (EDIT: I swapped these, My experience is limmited to RCA 44 & 77, Coles 4038 and Royer sf1. Hey there! It is a classic mic. I'm very curious about this 'specifically designed' AEA pre amp and I w Another option for the OP is a dual Cloudlifter. I would just send him the mic you get and have him check it out. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is, Have you heard both of these mics? Thanks for taking the time to respond. We have set up a separate forum area to discuss everything related to the Coronavirus / COVID-19. but that 44c has plenty of gain for close-up use with anything over 60db gain. "Active mics are overrated. In true gearslutz fashion more is better, so you can get a 44CE and R84 for less than the price of a Standard AEA 44C. i had one (didn't need it and sold it) and it was clean and clear as advertized, tho annoying power supply with no on/off on unit. How does the RPQ compares to the Grace Design M201 when the ribbon knob is engaged? The JRS-34 … Take a look at this setup. What does it cost to re ribbon an RCA77dx? Sadly it's not possible for me to audition all 3 side by side. And thanks for all the great feedback folks. They do have 2 Coles 4038 and 2 AEA R84. Any AEA R44 users care to comment on this mic? I'm very curious about this 'specifically designed' AEA pre amp and I want to make sure I'm not missing out on anything my mic has to offer. The other thing about the design is the whole impedance thing. 4 ribbons total. hey guys. I'm producing a jazz octet date at Bennett Studios next month.
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