Many cover versions followed, leading to its description as "one of the most played, arranged, and rearranged pieces in blues history" by French music historian Gérard Herzhaft.[1]. "[18][f] Music critic Greil Marcus comments that during the song's quieter middle passage "the guitarist, session player Jimmy Page or not, seems to be feeling his way into another song, flipping half-riffs, high, random, distracted metal shavings". [41] Also on March 23, 1975, one month after drummer Phil Rudd and bassist Mark Evans joined AC/DC, the group performed the song for the first time (this performance would also be repeated on April 6 and 27, which is why there is often conflicting dates for this performance) on the Australian music program Countdown. [42][43] For their appearance, "Angus wore his trade mark schoolboy uniform while Scott took the stage wearing a wig of blonde braids, a dress, make-up, and earrings", according to author Heather Miller. [34] Although they have expressed their interest and inspiration in early blues songs,[35] music writer Mick Wall identifies Them's adaptation of the song as the likely source. [26], Decca released "Baby, Please Don't Go" as Them's second single on November 6, 1964. [1] Blues researcher Paul Garon notes that the melody is based on "Alabamy Bound", composed by Tin Pan Alley writer Ray Henderson, with lyrics by Buddy DeSylva and Bud Green in 1925. [19][e] Hooker's song later appeared on a 1959 album, Highway of Blues, which Van Morrison heard and felt was "something really unique and different" with "more soul" than he had previously heard. A monthly update on our latest interviews, stories and added songs, Blues great Big Joe Williams is credited with writing this song, but it was developed from a folk song titled ", Lyrically, this song works up a well-worn blues cliché: His baby is leaving, and he's desperately trying to get her to stay. [31], The song was not included on Them's original British or American albums (The Angry Young Them and Them Again), however, it has appeared on several compilation albums, such as The Story of Them Featuring Van Morrison and The Best of Van Morrison. [16] Chess Records originally issued the single with the title "Turn the Lamp Down Low", although the song is also referred to as "Turn Your Lamp Down Low",[3] "Turn Your Light Down Low",[14] or "Baby Please Don't Go". It was covered by Jerry Granelli Trio, Big Blues Revival, Gaetano Pellino, Crazy Crackers and other artists. Beginning about 1:22 in Them's recording, bassy-sounding riffs appear. However, the A-side was largely ignored and "Baby, Please Don't Go" began receiving airplay. Chess Records recorded it under the title "Turn the Lamp Down Low." [18], "Baby Please Don't Go" was one of the earliest songs recorded by Them, fronted by a 19-year-old Van Morrison. Jimmy Page, a session musician at the time, played guitar on Them's version. The song is registered as "Turn the Lamps [. [36] In November 1974, Angus Young, Malcolm Young, and Bon Scott recorded it for their 1975 Australian debut album, High Voltage. The train was real - the airplane was not. [35] Tony Currenti is sometimes identified as the drummer for the song, although he suggests that it had been already recorded by Peter Clack. [21] As Page biographer George Case notes, "There is a dispute over whether it is Page's piercing blues line that defines the song, if he only played a run Harrison had already devised, or if Page only backed up Harrison himself". [27] In the US, the single was released by Parrot Records. She's planning to leave on the midnight train, but this one is going to New Orleans, not. "[35] Evans describes the reaction: As soon as his vocals are about to begin he comes out from behind the drums dressed as a schoolgirl. ", AC/DC performed the song live regularly throughout the band's lifetime. It started with a bouncy MTV classic. Muddy Waters did the song in 1953. Whether or not Page is actually the one playing is, itself, debated, but both Page biographer George Case and Morrison biographer Johnny Rogan believe he did. They first recorded it in 1974 on their debut album, More songs that were adapted from early blues songs, Director Wes Edwards ("Drunk on a Plane"). [42] Joe Bonomo describes Scott as "a demented Pippi Longstocking", and Perkins notes his "tattoos and a disturbingly short skirt. [51], In 1992, Williams' song was inducted into the Blues Foundation Hall of Fame in the "Classics of Blues Recordings" category. [d] He regularly performed the song, several of which were recorded. He recorded it during his first session for Lester Melrose and Bluebird Records in Chicago. Big Joe Williams' various recordings inspired other blues musicians to record their interpretations of the song[13] and it became a blues standard. The author of Help! Like all their hits, it was written by their bass player/producer Rick Finch and frontman Harry Wayne Casey. [10] Blues historian Gerard Herzhaft calls it "the most exciting version",[1] which Williams recorded using his trademark nine-string guitar. [38][h] AllMusic critic Eduardo Rivadavia called the song "positively explosive". When he came up with one of his gnarliest songs, there was a riot going on. [30] The single fared better on the West Coast, where both songs appeared on weekly Top 40 playlists for Los Angeles radio station KRLA, reaching as high as number two in May. [3], Big Joe Williams used the imprisonment theme for his October 31, 1935, recording of "Baby, Please Don't Go". MTV reversed the word "joint" in Tom Petty's "You Don't Known How It Feels" so it was unintelligible, but gave the video a VMA anyway. [9] On December 12, 1941, he recorded a second version titled "Please Don't Go" in Chicago for Bluebird, with a more modern arrangement and lyrics. There's debate over whether or not he wrote the guitar part or simply played what Them's Billy Harrison came up with. [17] AllMusic critic Bill Janovitz cites the influence of Waters' adaptation: The most likely link between the Williams recordings and all the rock covers that came in the 1960s and 1970s would be the Muddy Waters 1953 Chess side, which retains the same swinging phrasing as the Williams takes, but the session musicians beef it up with a steady driving rhythm section, electrified instruments and Little Walter Jacobs wailing on blues harp. Baby please don't go back to New Orleans, and get your cold ice cream [2][3] These variants were recorded by Charlie Patton, Lead Belly, Monette Moore, Henry Thomas, and Tampa Red. In 1947, he recorded it for Columbia Records with Williamson and Ransom Knowling on bass and Judge Riley on drums. Scott mugs for the camera and, during the guitar solo/vocal improvization section, he lights a cigarette as he duels with Angus with a green mallet. "Baby, Please Don't Go" is likely an adaptation of "Long John", an old folk theme which dates back to the time of slavery in the United States. Aerosmith recorded "Baby, Please Don't Go" for their blues cover album, Honkin' on Bobo, which was released on March 30, 2004. [3] AllMusic's Janovitz describes recordings in a variety of styles and notes "Sure, some guitarists like Angus Young and Ted Nugent have offered slick and fancy licks over breakneck tempos in their versions, but the song remains the same, to quote a phrase"[18], The sheet music includes a 1944 copyright date, indicating a later version of the song, Music historian Larry Birbaum suggested that the Orioles' 1951 version inspired, Muddy Waters' original Chess single lists the songwriters as "Strutt, Alexander", although reissues credit "McKinley Morganfield" (his legal name). One of the great "we're all going down" songs is "Ship Of Fools" by World Party, written when Margaret Thatcher was in power in England. [3] It is an ensemble piece with Williams on vocal and guitar accompanied by Dad Tracy on one-string fiddle and Chasey "Kokomo" Collins on washboard, who are listed as "Joe Williams' Washboard Blues Singers" on the single. The Brazilian rocker sees pictures in his riffs. Live versions appear on Muddy Waters at Newport 1960 and on Live at the Checkerboard Lounge, Chicago 1981 with members of the Rolling Stones.

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