Sophie Calle (b. Paris, France, 1953) uses the mediums of photography, video, film, books, text, and performance to pursue her sociological and autobiographical investigations. Mar 4, 2017, By Sophie Calle / Jul, 2013, By Sadie Stein / I photographed them without their knowledge, took note of their movements, then finally lost sight of them and forgot them. In 2019 she was the recipient of the Royal Photographic Society's Centenary Medal and Honorary Fellowship. The artist is highly recognized for her detective-like ability to follow strangers and investigate their private lives. The images and the textual narration describe the two main "characters" in a variety of situations: Calle in a blonde wig in Piazzo San Marco, Henri B. holding his hand up to hide his face from the artist's photographic gaze. About the author: Northern California native Max Blue is a writer of criticism, fiction and poetry. The Paris Review / This blurring of genre into a whole new form of performative art making was radical at the time. During the course of our conversation, he told me he was planning an imminent trip to Venice. In the late 1970s, finding herself at loose ends in Paris, she started playing games with unwitting strangers. In, "These works had involved me so much in the act of following that I wanted, in a certain way, to reverse these relationships. At the end of January 1980, on the streets of Paris, I followed a man whom I lost sight of a few minutes later in the crowd. 1 / 9. Many of her works juxtapose writing and photography to question […] She is recognized for her detective-like ability to follow strangers and investigate their private lives. ", "I like being in control and I like losing control. The Hotel features a series of twenty-one diptychs comprising photographs and text on paper. In 2017 she was shortlisted for the Deutsche Börse Photography Prize for her publication My All (Actes Sud, 2016). The work also showcases the way Calle co-opted the world of literature and more specifically fiction, as a tool to create art. Oct 23, 2009, By Sean O'Hagan / Suddenly, I found myself showing at the Museum of Modern Art. Save this story for later. The following interview appears in issue 96 of BRICK, which hits stores in the first week of December.. Before people started telling her she was an artist, Sophie Calle was a young woman with a camera, an unusually intense curiosity, and time on her hands. These also suggest some accessible resources for further research, especially ones that can be found and purchased via the internet. Her work frequently depicts human vulnerability, and examines identity and intimacy. This book, however, is a master class in small personal vignettes. She was married to an art critic and he visited my house and then invited me to exhibit at the Biennale des Jeunes. The stream of consciousness writing and photography of Suite Vénitienne adds to the obscurity of its premise, prompting more questions than it answers, an ambiguous stance that is key to much of Sophie Calle's work. Her mother, Monique Sindler, was a book critic and press attaché, later described by Calle as "the wildest mother, who was always center stage." Sophie Calle was born into an intellectual and creative household in 1953 Paris, where she experienced an unconventional childhood. Following the rules of others is restful. Originally published in French as an artist's book in 1980 and reissued in 2015 by Siglio Press in English, Suite Vénitienne epitomizes Sophie Calle's idiosyncratic, documentary-style text and photography in an eloquent blend of fact and fiction. I don't get bored. Sophie Calle—whose practice often incorporates writing, photography, installation, film, and more to explore intimacy, identity, interpersonal relationships, obsession, and vulnerability—could easily be considered one of the most significant Conceptual artists of the second half of the 20th century. A way not to have to think - to be trapped in a game and to follow it. Sophie Calle: stalker, stripper, sleeper, spy, Interview, Sophie Calle: 'What attracts me is absence, missing, death...', As Maman Lay Dying, Her Spirit Became Art, Strangers, secrets and desire: the surreal world of Sophie Calle, The first time I used in a text the words 'climate change', Sophie Calle Interview with Whitechapel Gallery Director Iwona Blazwick, Lecture By Sophie Calle at California College of the Arts, L'Hôtel, Chambre 47 (The Hotel, Room 47) (1981). The stream of consciousness writing and photography of Suite Vénitienne adds to the obscurity of its premise, prompting more questions than it answers, an ambiguous stance that is key to much of Sophie Calle's work. Purloined (Lucian Freud, Portrait of Francis Bacon), Attribution-ShareAlike Creative Commons License. Sophie Calle’s art mixes image and text to provoke the kind of intense emotional response usually inspired by epic literature or film. Although Calle has been criticized widely for invasions of privacy such as this, her actions provoked further reflection on the liberties of being an artist and the thin line between creative exploration and exploitation in art. Oct 2, 2008. If I have decided that there is this rule or that rule then I am very committed. That very evening, quite by chance, he was introduced to me at an opening. "Sophie Calle Artist Overview and Analysis". In the upper piece, the color photograph shows a bed and headboard which elicit the faded grandeur of Venice, the carved wood, modestly patterned wallpaper, and sober yet satin bedcovers suggestive of the nostalgic time-worn wanderlust and romanticism that continue to draw countless visitors to the city.

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