", Neil Young's epic career has veered wildly from folk-rock to country to hard rock to synth-driven New Wave pop to rockabilly to bar-band blues. Over the years, her songs have been covered by everyone from the White Stripes to LeAnn Rimes to Whitney Houston, who had an enormous hit with her version of Parton's ballad "I Will Always Love You." Home 150 Great Articles & Essays Best of 2019 100 Great Books By Subject By Author. Charlie Watts Drums 1962-Mick Taylor Guitar 1969-1975. "He ricochets around them." Jackson's collaborators and co-writers marvel at the way his dance-floor classics sprang full-formed from their creator's head. "Songs aren't necessarily verbatim chronicles or necessarily journal entries, they're like smoke. The result was "A Change Is Gonna Come," a soaring encapsulation of the African-American struggle. Their process has remained nearly identical from day one: Bernie writes a lyric and sends it to Elton, who sits down at a piano and turns it into a song. Your best chance of working with the magazine is writing feature articles as a freelance writer. "Being in close proximity to Jackson Browne, Joni Mitchell, and Crosby, Stills and Nash, this unspoken thing was created between Henley and me, which said, 'If we want to be up here with the big boys, we'd better write some fucking good songs.'" The team fell apart once Hayes became a hot buttered soul star in his own right, but they were inducted into the Songwriters Hall of Fame together in 2005, three years before Hayes' death. "When I wrote with John, he would sit down with a guitar. Well then they better find out who they're worshiping. Bowie is also one of rock's great collaborators, whether he's working with Brian Eno, Mick Ronson or Iggy Pop. Hynde's lyrics proved even more influential, articulating a complex female toughness that wasn't just a sexy pose, inspiring guitar-slinging women and self-directed pop stars like Madonna, who said, "It gave me courage, inspiration, to see a woman with that kind of confidence in a man's world. "I'm interested in something that means something for everyone," he told Rolling Stone in 1970, "not just for a few kids listening to wallpaper.". We'd work on music and lyrics together, inventing characters, adding musical and verbal jokes, polishing the arrangements and smoking Turkish cigarettes." Over the decades, his music has incorporated Tin Pan Alley tunecraft, global textures, gentle acoustic reveries, gospel, R&B and electronic music, all without diluting his core appeal as an easeful chronicler of everyday alienation. His most recent Number One, "The Monster," features bonkers couplets like "Straw into gold chump, I will spin/Rumpelstiltskin in a haystack/Maybe I need a straight jacket, face facts." "He felt everything he wanted to feel, and he would use us to 'write it down,'" says Bootsy Collins, Brown's bassist in the early Seventies. Yet, despite the heights his music scaled, Wilson's songwriting methodology was deceptively simple. Young has released an astonishing 36 solo albums, five in the last two years. That's how I feel about songs. To get it off the ground, Wenner borrowed $7,500 from his own family and from the parents of his soon-to-be wife, Jane Schindelheim. And alone among his peers Dylan's creativity was ceaseless –2000's Love and Theft returned him to a snarling sound that rivaled his electric youth, marking a renaissance that continues unabated. Joel has always had a heart in Tin Pan Alley, first hitting it big in the Seventies with the semi-confessional tale of wasting away as a lounge performer, "Piano Man." The two future Eagles were lucky to meet up in L.A. in the early Seventies, but in their hunger for success, they were even more fortunate to have formidable competition. "Joe, once he learned how to type, would bang the lyrics out at a high rate of good stuff," Jones recalled. But large-scale success as a performer eluded him. .nothing happens." "Then I'd be able to bang out some music while he was hitting the typewriter." "I felt like a cellophane rapper on a pack of cigarettes.". "There's nothing that isn't pretty fundamental." Recent highpoints like the Kanye West collaboration "Otis" and 2013's "Picasso Baby" show that no number of lunches with Warren Buffet or late-night diaper-duty emergency calls can slow down his de Vinci flow and Sinatra roll. Singer Thom Yorke, guitarist/electronics whiz/orchestral composer Johnny Greenwood and their Radiohead mates, always credited collectively, have produced some the modern era's most glorious songs.