NOTE: These two clips are of the exact same performance. You can see that each strike increases in volume. BAE 1073D set to 1200 ohm input impedance, BAE 1073D set to 1200 ohm input impedance with input cranked up 10dB, Chandler TG2-500 set to 1200 ohm input impedance, Chandler TG2-500 set to 300 ohm input impedance, Focusrite ISA828 set to Low impedance setting, Focusrite ISA828 set to ISA110 impedance setting, Focusrite ISA828 set to Medium impedance setting, Focusrite ISA828 set to High impedance setting, Great River MP-500NV set to 1200 ohm impedance setting, Great River MP-500NV set to 300 ohm impedance setting, Great River MP-500NV with Loading turned on, LaChapell Audio 583S mk2 in normal operating range, LaChapell Audio 583S mk2 with input driven hard and output low, LaChapell Audio 583S mk2 with input level low and output high, Rupert Neve Designs 511 with Red Silk texture at max, Shadow Hills Mono Gama with Nickel transformer, Shadow Hills Mono Gama with Steel transformer, Shelford Channel with Blue Silk texture at max, Shelford Channel with Red Silk texture at max. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. Being music makers ourselves, we love geeking out on all things gear. For more tips on getting a great snare sound, check out these other articles by Lynn Fuston. Polarity reverse — Frequently called phase reverse, this is a critical feature when recording drums, because you’ll need to make sure all the drum mics work together in uniform polarity. And the sound of the circuit as it is driven harder drastically distinguishes these two circuit topographies. If you want to read more about all the considerations when selecting a mic preamp, check out our extensive Mic Preamp Buying Guide. The top waveform is a swell through the UA Apollo 8p pre and the bottom waveform is the Great River MP-500NV with the input cranked up far above its normal range, with the output turned down by the inverse amount so that the output level is the same. The adjustable amount of silk introduces 3rd order harmonics … The Model 583S mk2 offers the same 992EG style tube preamp featured in LaChapell... With the API 512c, you've got the chance to own API's legendary front-end sound — at an unbelievably incredible value. Phone Hours | Solid-state or tube — Is the amplifier stage solid-state or tube? NEVE 511 VS API 512C MANUAL DOWNLOAD NEVE 511 VS API 512C MANUAL READ ONLINE The RNDI's signature sound is the product… This website uses cookies to improve your experience. He also produced the world-renowned 3D Audio CDs, a series which allows listeners to compare mics, preamps, analog-to-digital converters, DAWs, and summing, giving them the ability to hear the differences in their own spaces. One common technique for making a snare recording sound big is to push (overload) the amplifier stage to create distortion, which gives the snare a bite or edge, and because distorted sounds are perceived as louder than non-distorted sounds, it is easier to get the snare to pop through in a mix. There’s a distinct sound to consoles that use discrete components, such as early Neve or Trident A-Range consoles, compared with the IC consoles that were popular in the ’80s and ’90s, like the MCI 528 or Trident 80B. This is a big deal, as any engineer knows, because the harmonic distortion differs between solid-state and tubes. Get Directions | In addition to his time at the board, he's been a contributing writer/editor for recording magazines such as EQ, ProSound News, Audio Media and Pro Audio Review since the '90s. Because of the amplifier design, this doesn’t sound like distortion, and the increase in volume is still clearly communicated even to the end. Transformer or Transformerless — The inclusion or exclusion of transformers is one of the biggest factors in a preamp design. 1 – Best Mics for Recording Snare Drums Polarity was confirmed using the Galaxy Audio CPTS Cricket. This technique can also be accomplished with a solid-state amplifier design, but with a different sonic result due to the different distortion characteristics.