She immigrated to the United States with her mother and sisters at the age of 13. Sep 30, 2015 - Cipe Pineles, 1996 AIGA Medalist, was the first autonomous woman art director of a mass-market American publication (Glamour) and the first woman asked to join the all-male New York Art Directors Club and later its Hall of Fame. Because you have to? “We tried to make the prosaic attractive without using the tired clichés of false glamour,” she said in an interview. After her graduation and post Great Depression, Pineles also began work at Green Mansions, an adult resort/summer camp in the Adirondacks. [6] She soon became the art director for Glamour, a publication directed at young women. [8], Pineles joined the faculty of Parsons School of Design in 1963 and was also its director of publication design. [10][12] On the book, Rich said, "The aim was to tell her story, show her artwork, and emphasize the food. La rivista era indirizzata esplicitamente a un pubblico formato da donne in carriera che si occupavano anche della casa e della famiglia; l’intento di selezionare un target femminile preciso verso il quale rivolgere i contenuti del mensile è comune alle sue precedenti pubblicazioni per Seventeen (il magazine era orientato a un pubblico di giovani ragazze). Pineles died in 1991. Sep 29, 2016 - Explore Sarah Bowler's board "Cipe Pineles" on Pinterest. Cipe Pineles (June 23, 1908 – January 3, 1991) was an Austrian-born graphic designer and art director who made her career in New York at such magazines as Seventeen, Charm, Glamour, House & Garden, Vanity Fair and Vogue. From 1961 to 1972, she worked as a graphic design consultant for the Lincoln Center for the Performing Arts in New York, supervising the creation of branding and marketing materials for this institution of the arts. [7], As a personal project, Pineles wrote and illustrated a sketchbook of Easter European Jewish recipes, completing a manuscript in 1945. I soggetti dell'editoriale e delle copertine sono resi attraverso tecnica fotografica e illustrativa, alcuni realizzati direttamente dalla graphic designer, altri da professionisti del settore. Sei anni dopo presso la redazione di Charm, per l’edizione del Gennaio 1954 (cfr. She suffered from kidney disease and ultimately died of a heart attack.[4]. Pineles had a nearly 60-year-long career in design. There would have been no room for Ms. magazine if Charm had not been dropped." Fu proprio grazie al suo intervento che quest’ultima rivista, la cui pubblicazione iniziò già negli anni ‘40, acquistò fama e notorietà: venne rilanciata come The magazine for Women Who Work, diventando così il primo mensile <>. Richards, Melanie. She is also credited with the innovation of using fine artists to illustrate mass-market pu… Cipe Pineles began her designer career assisting M.F. Agha before becoming the first American woman art director at Seventeen, where she commissioned fine artists to illustrate the pages of the magazine, effectively bringing modern art to the attention of a … At Seventeen, Pineles worked alongside Helen Valentine, a writer for the magazine, and Estelle Ellis, a marketer for the magazine. He immediately hired Pineles as an editorial designer for Vogue and Vanity Fair, both of which she imprinted with her singular vision. Why, when the history came to be written was she left out? Tra gli anni ’30 e gli anni ’40, grazie alla collaborazione con Agha e Nast, si avvicinò al mondo editoriale diventando la prima art director donna del mercato di massa americano; il contatto con questi due autori influenzò la sua produzione artistica portandola a promuovere contenuti relativi a problemi sociali e politici. See more ideas about history design, vintage magazines, design. She continued to develop her distinct style throughout her career, and in 1942, she became art director of Glamour. Mar 9, 2020 - Cipe Pineles, 1996 AIGA Medalist, was the first autonomous woman art director of a mass-market American publication (Glamour) and the first woman asked to join the all-male New York Art Directors Club and later its Hall of Fame. Dal punto di vita grafico, infatti, il lavoro dell’autrice per Charm si rivela innovativo: dobbiamo a lei un layout dal design moderno che si focalizza sul dialogo compositivo e integrato tra testo e immagini (cfr. La carriera di graphic designer di Cipe Pineles, emigrata in America durante gli anni '20, iniziò quando venne assunta direttamente da Condè Nast per lavorare presso l’ufficio di M.F. Il lavoro portato avanti da Cipe Pineles per Seventeen non aveva nessun intento legato alla volontà di promuovere una riforma sociale; nei mensili dell’Aprile 1948 (cfr. La fotografia risulta più prominente e si sostituisce progressivamente all’illustrazione; la gabbia tipografica diventa elastica e il testo, così come l’immagine, trasgredisce gli spazi consueti di impaginazione. È conosciuta per essere stata la prima art director donna membro dell'Art Directors Club di New York. Sep 30, 2015 - Cipe Pineles, 1996 AIGA Medalist, was the first autonomous woman art director of a mass-market American publication (Glamour) and the first woman asked to join the all-male New York Art Directors Club and later its Hall of Fame. [5] When Charm was soon folded into Glamour magazine, Cipe Pineles stayed on with the new owners of Condé Nast, then moved on to Mademoiselle magazine when Charm discontinued publishing in 1959. The modernized recipes are meant to be more accessible to modern cooking methods and ingredients and to fill in for the experience cooks were expected to know with the original recipes. Agha, che all’epoca si occupava della direzione artistica delle pubblicazioni di Vogue, Vanity Fair e House and Garden.